Organ Works
About the edition of songs
Read more in RWA Online…
- Early reception of the chorale fantasias (RWA vol. I/1)
- Chorale fantasias (RWA vol. I/1)
- The conception of the chorale fantasias (RWA vol. I/1)
- Tradition and modernity – composing for the organ
- Early reception of the Fantasias and Fugues, Variations, Sonatas, Suites 1894-1901 (RWA vol. I/2)
- The conception of the Fantasias and Fugues, Variations, Sonatas, Suites 1894-1901 (RWA vol. I/2)
- Genres and their claim – large-scale organ compositions
- Fantasias and Fugues, Variations, Sonatas, Suites 1894-1901 – Introduction (RWA vol. I/2)
- Biographical context of the Fantasias and Fugues, Variations, Sonatas, Suites 1894-1901 (RWA vol. I/2)
- Early reception of the Fantasias and Fugues, Variations, Sonatas, Suites 1901-1916 (RWA vol. I/3)
- Biographical context of the Fantasias and Fugues, Variations, Sonatas, Suites 1901-1916 (RWA vol. I/3)
- Chorale preludes – Introduction (RWA vol. I/4)
- Early reception of the Chorale preludes (RWA vol. I/4)
- Collections of character pieces for orgn (RWA Vol. I/5–7)
- Organ pieces 1902-1903 – Introduction (RWA vol. I/6)
- Biographical context of the Organ pieces 1902-1903 (RWA vol. I/6)
- Organ pieces 1904-1916 – Introduction (RWA vol. I/7)
- Chorales in Reger's works for organ
- Reger und das Harmonium
- Akzidenzien bei Haltetönen – Beispiele
- The Reger-Gesamtausgabe (1954–86)
- Reger and Johann Sebastian Bach
- Manuscripts for Karl Straube
- Karl Straube's influence on Reger's organ works
- Alternating notes within ornaments
- On writing habits and idiosyncrasies in Reger's manuscripts
- Reger being an organist
- On the choice of tempo in Reger's works
- Zur Bedeutung des Chorals »O Haupt voll Blut und Wunden« für Reger
- Zu Regers Verwendung von roter Tinte