Abschiedslied WoO VI/27

for mixed voice unaccompanied choir

Komponiert in Schneewinkl bei Berchtesgaden oder in Meiningen, zwischen Mai und Anfang Juli 1914

Performance medium
Mixed choir [Soprano, Alto, Tenor, Bass]

Work collection
  • -
Original work
  • -
  • -


Reger-Werkausgabe Bd. II/9: Werke für gemischten Chor a cappella II, S. 158–159.
Herausgeber Christopher Grafschmidt.
Unter Mitarbeit von Nikolaos Beer, Stefan König und Dennis Ried.
Verlag Carus-Verlag, Stuttgart; Verlagsnummer: CV 52.816.
Erscheinungsdatum Oktober 2021.
Notensatz Carus-Verlag, Stuttgart.
Copyright 2021 by Carus-Verlag, Stuttgart and Max-Reger-Institut, Karlsruhe – CV 52.816.
Vervielfältigungen jeglicher Art sind gesetzlich verboten. / Any unauthorized reproduction is prohibited by law.
Alle Rechte vorbehalten. / All rights reserved.
ISMN M-007-26186-3.
ISBN 978-3-89948-418-2.


Text template
First edition

Template edition

Used for comparison purposes in RWA: Margaret von Seydewitz: [Was ist es, das so traurig klingt…], in: Fritz Stein: Eine unbekannte A cappella-Komposition Max Regers, 1948, p. [4].

Copy shown in RWA: unknown


Note: Vorlage: Manuskript (verschollen). Für die RWA zu Vergleichszwecken herangezogen wurde der Beitrag zu einer unveröffentlichten Festschrift Eine unbekannte A cappella-Komposition Max Regers, in dem Fritz Stein das Gedicht zitiert.

1. Composition and Publication

At the end of April 1914 Fritz Stein was appointed Reger’s successor as court Kapellmeister to the Duke of Meiningen with effect from 1 October.1 Consequently Stein had to give up his positions in Jena, including that of University Music Director. This also applied to the directorship of the Academic Chorus which he had founded. A farewell ceremony was planned for 16 July, at which a vocal work by Reger written for this occasion was to be performed as a surprise. Margaret von Seydewitz, a member of the chorus, wrote a fitting poem for the occasion.

In May, following a breakdown after a concert in Hagen at the end of February, Reger was still recuperating at Schneewinkl near Berchtesgaden. The composition could have been written there or in Meiningen, after he had resumed his duties at the end of May. At any rate, according to Stein, Reger responded “to this request with agreeable willingness and sent the small composition with his characteristic swiftness ‘by return of post’ ” 2. Stein received the autograph manuscript as a lavishly-bound present.

When Stein suggested in 1948 that “all friends of Reger will be sure to be interested in this modest parergon to the master’s unaccompanied output, which in any case is small” 3, it is unclear whether he was referring to a publication he was planning. At any rate, the Abschiedslied was published for the first time in 1961 in Vol. 27 of the Complete Edition, edited by Hermann Grabner.


Translation by Elizabeth Robinson.

Although at the time of Fritz Stein’s official commencement of his duties, the Court ensemble had already been disbanded by Bernhard III, successor of Georg II who died on 25 June, Stein remained at least nominally in position for two years, and resigned on 19 December 1916 (see Stein’s letter of 1 June 1917 to the Herzogliche Hofmarschallamt, Max-Reger-Institut, Karlsruhe, shelf number: Ep. Ms. 4037).
Fritz Stein, “Eine unbekannte A cappella-Komposition Max Regers”.
Fritz Stein, Ibid.

1. Reception

At present, there are no records of performances in Reger's time.

1. Quellenbewertung

Der Edition liegt als Leitquelle das Autograph zugrunde.

2. Sources

  • Autograph
  • Posthume Erstausgabe
Object reference

Max Reger: Abschiedslied WoO VI/27, in: Reger-Werkausgabe, www.reger-werkausgabe.de/mri_work_00222.html, last check: 13th April 2024.


This is an object entry from the RWA encyclopaedia. Links and references to other objects within the encyclopaedia are currently not all active. These will be successively activated.